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This song is better than sex. Period.

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Youth homicide is no joking matter, but it’s scathing commentary on our society that the lyrics get easily lost in the delightful bass and deliriously catchy melody.

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This synth-heavy hit for Stevie Nicks takes all of her best instincts as a songwriter and vocalist and funnels them into an absolute bop.

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This song is the definition of a hit. This is gonna bring the house down any time it comes on, despite being a slow jam.

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This track is a tour de force of power pop energy. It’s just so gloriously enticing and anthemic, and Oliva works every second of it.

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Halsey’s aching, pseudo-ballad breakup anthem is completely devoid of tricks or cheapshots; it’s just a great song, well-executed.

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This song is a BOP, but honestly this guy sounds like he sucks, Deniece…please don’t make us clap for him.

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Even alt rock gods like R.E.M. can’t resist their most poptastic instincts – they have largely disowned this. But come on, you’ve got B-52’s goddess Kate Pierson on backing vocals, some rather pleasant waltz moments, and one epic guitar riff. What’s not to love?

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Taking the bright and airy strings from the Supremes’ “Someday We’ll Be Together” and turning them into a seductive sirens’ call is a genius only Jam & Lewis could beget. But Janet is that seductress, and she absolutely ties you up and has her way with you on this landmark moment.

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Never count Kylie out. Over 35 years into her career, she comes in and drops a bomb like this. An inescapable little bundle of dynamite that made a whole new generation of gays ferel.

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